Fog, are you really busy right now?

I listened to some Richard Thompson while I was working. 

Let me look up the setlist. 

 

Richard & Linda Thompson
1982-05-16 :: City of Poughkeepsie, Dutchess County, New York, USA
The Chance :: 6 Crannell Street :: (M1-SBD patched with M?-AUD)

~*~ Mk2 version carefully remastered fixing various issues, with EQ & NR ~*~

01. Back Street Slide
02. --talk & tuning--
03. Just the Motion
04. --talk & tuning--
05. Flogging Reel -> Kerry Reel
06. --talk & tuning--
07. Honky Tonk Blues
08. --talk & tuning--
09. I'll Keep It With Mine
10. --talk & tuning--
11. You're Gonna Need Somebody
12. --talk & tuning--
13. Pavanne 
14. --talk & tuning--
15. Withered & Died 
16. --talk & tuning--
17. Man In Need
18. --talk & tuning--
19. Walking On A Wire
20. --talk & tuning--
21. Don't Renege On Our Love
22. --talk & tuning--
23. Did She Jump Or Was She Pushed
24. --talk & tuning--
25. Shoot Out The Lights
26. --talk & tuning--
27. For Shame Of Doing Wrong
28. --talk & tuning--

First Encore :::
29. Down Where The Drunkards Roll

Second Encore :::
30. Danny Boy

Total Time ::: 1:29:30

::: EXC SBD with a bit o' hiss & a few missing bits patched with an AUD. Check samples if yr a gold dust purist or tempting morsels are yr audio appetizers.
::: WARNING: The first minute of track 1 is an AUD source patch, don't be fooled!
::: WARTS: Repaired dullspots & dropouts but surely missed a few. Got hiss, mostly in #07+08 which are VERY low volume. SBD missing bits patched with AUD - #01 intro 50secs, tapeflip between 7&8 (75 seconds missing with music & applause - #07 missing 25secs at end & #08 25secs at start). #15 last 32secs & all of #16. #07 taper talk between songs from AUD patch.
::: CONTRAST CLAUSE: This is a SBD. An AUD source may be found elsewhere.
::: CONTRAST CLAUSE: This is the Mk2 SBD WITH EQ or NR & AUD patches EQ'd to better match this SBD material. The Mk1 SBD with NO EQ or NR may be found elsewhere.
::: 4th gig of Richard & Linda Thompson's first & last USA tour & about 10 days before Linda, "crowned Richard with a Coke bottle".
::: Richard & Linda's 1st & last USA tour. Musically spectacular, perhaps all the more edgy due to the ongoing dissolution of their marriage.
::: "Shoot Out The Lights", their 6th & final LP issued 1982-03-15 & this tour actually happened for contractual reasons.
::: Simon Nicol's wife had a baby on this morning. A musician's life on the road while the birthing business goes on at home!
::: NOTHING here used for "Shoot Out The Lights" 2CD deluxe. "I'll Keep it With Mine" is the only unidentified source & the versions were compared.
::: Marshall Crenshaw opened. His debut just issued April 28th. By a month after this show, he was a mega star. Go figure!
::: Other SBDs exist from this tour. It'd be great to hear more before all my hearing has to be from an astral plane. Please.
::: To my knowledge, there are NO Richard & Linda Thompson SBD/AUD matrixes. I'd LOVE to hear these sources mixed but it's above my remastering pay grade. Can anyone tackle it? I can supply a non-cross-faded version of the SBD with clean cuts. I tried one track & it sounded pretty cool.
::: Uploaded in memory of the extremely fine multi-instrumentalist Pete Zorn (RIP April 2016).

Recording Information ::: mono soundboard feed -> unknown cassette recorder -> master mono soundboard cassette -> 1st generation Maxell XLII-S 90 cassette, Dolby not indicated.

Playback 2013-03-xx ::: 1st generation Maxell XLII-S 90 cassette on on Nakamichi 680ZX cassette deck, Dolby B off, azimuth adjusted for individual tape, heads cleaned & demagnetized -> Sony Linear PCM Recorder PCM-M10 (LPCM 44.10kHz/16bit WAV files) -> computer -> Audacity [normalisation to remove DC offset, channel/phase alignment, fades, manual one-at-a-time glitch, bump, pop, click, dropout & dullspot repairs, volume adjustments, incremental pitch (speed) fixes applied with single pass per segment after frequency analysis & with pitchpipe verification, bad 60Hz spike notched out, EQ applied to lower some bass, light noise reduction to reduce hiss, AUD patches EQ'd to better match SBD source], mono recording & once remastered only used better L channel for steadier sound -> CD Wave (track splits) -> flacs (Trader's Little Helper) -> yr ears. First uploaded 2018-08-xx.

DOLBY PLAYBACK NOTE: Sounded like s#*t with Dolby on (dead & hissy). Very hissy with Dolby off in quiet parts, but much more lifelike. Hiss complaints circulated for years from those who heard a number of SBDs from the tour, in part due to the cassette format, but almost certainly a crappy deck as well. Now that I am having some success with differential EQ, I may revisit the Dolby thing here at some point & see what happens.

Line-up ::: Richard John Thompson OBE - acoustic & electric guitars, vocals // Linda Thompson (n�e Pettifer & later Linda Peters) - vocals, tambourine // David James "Dave" Mattacks - drums, percussion // Simon John Breckenridge Nicol - acoustic & electric guitars, backing vocals // Peter "Pete" Zorn - electric bass, flute.

Nothing here ever commercially released to my knowledge. If I'm wrong, please advise & I'll take the offending trax offline.

DimeTravel 437 ::: Thanks to the original taper & trader for doin' the real work! Thanks to DIMER dclubok for some song research. ::: Corrections welcome ::: After remastering qith its mix issues alleviated & the hiss subdued, this never sounded better. I tried many different differential EQ settings but finally decided the original sound was the most authentic, it just needed some bass reduction. A bit of an odd show, definitely more laid back than many others on the tour. Superb playing but to my ears a bit methodical & Richard doesn't have the edge of some of my favorite shows, like Boston & Baltimore. There is an aspect of it that almost sounds like a rehearsal, perhaps because the audience is also fairly subdued - possibly the club was not very full at all. Except that it was a bit rundown, I liked The Chance. Not a bad place to see music, from the floor or the balcony. Still my fave R&LT tour of them all. It's interesting to compare "I'll Keep It With Mine" to the released version from the same tour & realise how very different the guitar playing is - that Richard, what a guy! I seem to recollect this came from a friend of the mighty Jerry Moore, it was a one-off trade with a source someone knew who had RT tapes, and I was a beggin'. In any case, best to see your dentist before playing this one & make sure your fillings are solid, as anything loose may well fall on the floor from shock & awe. Only 3 days before my one-off experience seeing the maestros at work in Boston, this is an audio feast for the ears, best experienced with a bit of volume & uninterrupted listening space in an empty house or a fast moving vehicle on the open road. If you sometimes forget why you were "over the moon" about this duo, or wonder why Richard just doesn't slip under yer skin the same way anymore, maybe this recording can help. I don't think it's the show best from the tour, but it's extremely enjoyable & the quality alone makes it mandatory - quite tasty. Listen, enjoy, show appreciation, share, give, spread peace. Yrs truly, Knees

Support the artists! http://www.richardthompson-music.com -- http://www.fairportconvention....(Simon) -- http://www.lindathompsonmusic.com -- www.davemattacks.com

How do you grip the club? Interlocking or Vardon?

His twangy tone sounds dry instead of humid.

Fog, where do your misses go, right or left?

Read Hogan's five lessons. Pick one of the grips. Keep your head down. Film your swing to see where you get outside and over the top.

I'm right handed but I play left handed with an interlocking grip.