No way! What a master drummer and songwriter! Saw them a few times around 80/81. Wasn't the most exciting of shows viewer wise imo but the music is topnotch musicianship.
RIP!
One of my if not favorite Rush songs. Had all the early albums in the 70's. All The Worlds A Stage live album got a lot of spins.
Saddened to hear this. My first big Rock concert was Rush on the Permanent Waves tour. I never saw them again though, and I regret that. Wonder if Geddy & Alex will do some sort of tribute show?
I saw the Moving Pictures, Signals, and Grace Under Pressure shows plus a later tour stop with Jethro Tull opening. Air drumming to Neal was always a Rush (sorry). RIP.
Funny, I find that I'm very sad about this even though I wasn't a huge fan of his. I totally respected his ability and approach, I just thought he was a bit too mechanical for my taste. I became more impressed with him on a personal level when I heard that long after he had fully established himself as a star drummer he took lessons to gain more "swing" to his playing, which I thought was pretty admirable.
He still never "swung" enough for me, but he was undeniably one of the greats of all time and he always did it his way.
Saw the Hemispheres and Permanent Waves tours, and had all their albums up to then. Great performances.
A friend and I just listened to a chunk of this amazing Millard recording on Tuesday at concert volume, recording grabbed from DIME:
Rush
Anaheim Convention Center
Anaheim, CA
June 12, 1981
Mike Millard first generation cassettes via JEMS
The Lost and Found Mike the MICrophone Tapes Vol. 17
JEMS 2019 TRANSFER: first-generation cassettes made by Mike Millard for Barry G >
Nakamichi CR-7A azimuth-adjusted transfer > Sound Devices USBPre 2 > Audacity 2.0
24/96) capture > iZotope RX MBIT+ resample 16/44.1 > iZotope RX and Ozone mastering >
Peak Pro 6 (volume smoothing / edit / index) > xACT 2.39 > FLAC
01 2112 Overture
02 The Temples of Syrinx
03 Freewill
04 Limelight
05 Hemispheres Prelude
06 Beneath, Between & Behind
07 The Camera Eye
08 YYZ
09 Drum Solo
10 Broon's Bane
11 The Trees
12 Xanadu
13 The Spirit of Radio
14 Red Barchetta
15 Closer to the Heart
16 Tom Sawyer
17 Vital Signs
18 Natural Science
19 Working Man
20 Hemispheres Armageddon
21 By-Tor and the Snow Dog
22 In the End
23 In the Mood
24 2112 Grand Finale
25 La Villa Strangiato
For those who don't know the late, great Mike Millard:
I had no idea Millard ever captured Rush (he was best known for Led Zeppelin). What an amazing combination of performance, live sound, and bootleg sound capture! I wondered how many stage mics were used to capture all the sounds coming from Neil?! Thanks Ken for posting the picture of his kit.
Two other things:
The announcement was made today, but Wikipedia says he passed away Tuesday, the same day we listened to the show noted above. Wooooooo!
and...
Neil had an amazing career, and a tragic personal life:
"On August 10, 1997, soon after the conclusion of Rush's Test for Echo Tour, Peart's first daughter and then-only child, 19-year-old Selena Taylor, was killed in a single-car accident on Highway 401 near the town of Brighton, Ontario. His common-law wife of 23 years, Jacqueline Taylor, succumbed to cancer only 10 months later on June 20, 1998."
I've been meaning to read the book he wrote during his motorcycle travels after the 2 deaths.
Personally I could never get in to Rush (although they were much better live then on record IMO) but they were still balls-out great, and IMO they always did things the way they should be done, with integrity.
You don't have to like them to respect them, and they are deserving of the highest professional respect in an industry that isn't usually deserving of that.
Paul Rudd narrates this well-produced 2016 documentary for which the rock band Rush granted filmmakers exclusive behind-the-scenes access as their final tour, launched in May 2015, comes to a crescendo in Los Angeles. The film emphasizes the musicians’ almost symbiotic relationship with their ferociously loyal fans, who likewise feel a quirky sense of ownership when it comes to “their” band. Candid interviews with bandmates Geddy Lee, Alex Lifeson and Neil Peart add more insights.
Symbiotic relationship with their ferociously loyal fans>>>
They talk about getting on airplanes, seeing dozens and dozens of shows, great program, seen it three times
>>>Seems I've been pronouncing his name wrong since high school. Lots of album spins in my youth.
Damn, I guess I have too.
I also got into Rush in high school in the late 70's and the friend who turned me onto them was also responsible for getting me into the GD, Neil Young, Zeppelin, Yes and a TON of other music. I'm still grateful to him to this day and we still see Kimock and Phish shows together once in a while.
Anyways, I think back then I was just absorbing everything like a sponge, and while I thought Geddy's voice was definitely different and very strange, it didn't deter me from getting into their music any more than any other of the male rock singers who could sing in a high key (Jon Anderson, Freddy Mercury, Robert Plant, Ian Gillian, etc). I'm not saying he's in their league, but it wasn't something at the time that turned me off (and I totally get why people can't deal).
I didn't get a chance to see them until after high school, but when I did, it was my first big indoor arena show (Cow Palace, '84). I went up with a bunch of friends (some of whom I still hang out with) and all of us but the driver were dosed to the gills. Gary Moore with special guest Neal Schon opened and put on a guitar god clinic, so the crowd was proplerly primed.
The set Rush themselves played was on the short side and included a lot of songs from their new album, which to me diverged from their past, hard prog rocking identity and had too much electronic shyte, but I was still blown away and spent the next decade or so really delving into their old stuff and hitting every Bay Area show just to see them play those older songs, even if they were few and far between (or worse: medleys). But it got to the point that they played more "new" material than old, and to me, the shows were just not the same, so I stopped going.
Then in 2015 I heard they were playing more complete versions of songs like Cygnus X1, Hemispheres and 2112, so I had to go. This was their 40th anniversary show and the last time I saw them. They opened with 9 newer songs (written '83 or later), which to me seemed to suck the life out of the old, meat-in-yer-seat crowd at the San Jose SAP center (but provided plenty of bathroom/smoke break opportunities), so by the time they got to the good stuff, the energy was not what it could have been (for me, anyway). It was still great to see them perform those songs, and I'm very glad I went, especially now that it's over.
As for the music, much of the appeal for me was that Peart, Lee and Lifeson all had recognizable instrumental voices, and were all very capable of playing lead simultaneously when they jammed. Rush helped me develop a taste for longer, more progressive songs and I resonated with Neil Peart's lyrics and think it shows something about the man that he could be such a robotic, technical beast on the skins, but could write with such heart.
He was also a fellow avid cyclist (yeah, we both doubled down on nerd-ness).
After I heard the news, I spent the next 4 hours watching old concert footage (cranked to eleven, of course), and while I felt a little sadness at the ending of yet another band from the years when I was coming of age, I mostly felt joy that I got to live in that time and have those experiences because things are different now, and to me, not for the better musically speaking.
So here are some of the man's words, which are as true, if not truer, today than when he wrote them decades ago:
When they turn the pages of history
When these days have passed long ago
Will they read of us with sadness
For the seeds that we let grow?
We turned our gaze
From the castles in the distance
Eyes cast down
On the path of least resistance
Cities full of hatred
Fear and lies
Withered hearts
And cruel, tormented eyes
Scheming demons
Dressed in kingly guise
Beating down the multitude
And scoffing at the wise
The righteous rise
With burning eyes
Of hatred and ill-will
Madmen fed on fear and lies
To beat and burn and kill
They say there are strangers who threaten us
Our immigrants and infidels
They say there is strangeness to danger us
In our theaters and bookstore shelves
That those who know what's best for us
Must rise and save us from ourselves
Quick to judge
Quick to anger
Slow to understand
Ignorance and prejudice
And fear walk hand in hand
Hey Hall-io, nice post and pic, Happy New Year to you and yours.
>>Anyways, I think back then I was just absorbing everything like a sponge.
Same time zone here with Rush, some of my friends thought Rush was too over the top, but we analyzed the lyrics anyway. Cool that you got to see them live. I'm 3 days in on the Sirius Deep Tracks celebration of Neil Peart's life, it's been fun time- traveling...listening to the old tracks off the albums.
I've thought about this over the years. I respect the hell out of them for a lot of things, but other than a few songs I don't dig them. I tend to get bored by them quickly. I think it's a lack of blues or emotion content in their presentation. I can't put my finger on it but that's the best I've been able to come up with. This is my favorite Rush video.
I spent a lot of years denying my earliest music interests. Rush led Zep sabbath etc. thinking My tastes just outgrew them. In the 80s I got caught up in the dead scene and we all know us deadheads are pretty iconoclastic. Exclusionary to a fault. I eventually got sick of that whole “ let’s out-obscure each other” approach to music and the rise of the silly jam band thing and revisited my roots. Gosh some of that music that got beat on by the fm radio haters is great stuff. I realized that genres can live side by side on the same shelves. I’m glad that I revisited rush in the late 90s thru the end as they really had a fantastic second half and finished on top of their game. To have their final studio track be the garden is such a fitting finale. Just too bad Neil didn’t get to enjoy retirement for long
Happy New Year Jamjuice and Peak, hope to hear some epic trip reports soon (didn't you guys go to New Zealand?).
Turtle, apparently a lot of people do like Rush based on their sales:
"Rush released its eponymous debut album in March 1974. 24 gold and 14 platinum (3 multi-platinum) records later, the band is only third behind The Beatles and The Rolling Stones for the most consecutive gold or platinum albums by a rock band."
... but I know what you mean, it seems like they really polarize people. It might be because they're not easy to classify. They're an amalgamation of rock, prog, metal with all kinds of other influences mixed in and who jump from different time signatures multiple times in the same song. And at times they can evoke feelings [of an almost human nature], which may be deemed 'uncool' by tough guys.
Or it could just be Geddy's voice, which has been described a "rat caught in a wringer", or a "hamster on helium". Sometimes I wish they would have gotten a singer who could play keys so Geddy could focus solely on being an even more ripping bass player than he already is (if that's even possible!).
>>> some of that music that got beat on by the fm radio haters is great stuff. I realized that genres can live side by side on the same shelves. II realized that genres can live side by side on the same shelves.
I know it’s a race but I gotta say I usually see it elsewhere before here nowadays.in the heyday it would’ve been here first but there is a delay now that wasn’t here before
Top of Page Bottom of Page PermalinkFull Name: Bucky Badger On Wisconsin
on Friday, January 10, 2020 – 04:22 pm
This was the first thread
This was the first thread breaking this news on Viva FYI
Top of Page Bottom of Page PermalinkFull Name: Ken D. Portland_ken
on Friday, January 10, 2020 – 04:33 pm
RIP - one of the greatest for
RIP - one of the greatest for sure.
Top of Page Bottom of Page PermalinkFull Name: Woz Paul_woz
on Friday, January 10, 2020 – 04:39 pm
Bummer. RIP.
Bummer. RIP.
Top of Page Bottom of Page PermalinkFull Name: Ken D. Portland_ken
on Friday, January 10, 2020 – 04:44 pm
....
....
Top of Page Bottom of Page PermalinkFull Name: Lord Kalvert Lloyd_Klondike
on Friday, January 10, 2020 – 04:48 pm
Watching the Time Stand Still
Watching the Time Stand Still video last week- I earned new respect for him in his interviews.
Very sad.
Top of Page Bottom of Page PermalinkFull Name: _________ Plf9905
on Friday, January 10, 2020 – 04:59 pm
Not the biggest Rush fan but
Not the biggest Rush fan but he Was a Monster On Drums
Top of Page Bottom of Page PermalinkFull Name: skyjunk fabes
on Friday, January 10, 2020 – 05:59 pm
Where are the wind chime
Where are the wind chime thingies, that go tinkle tinkle on his kit?
Top of Page Bottom of Page PermalinkFull Name: doctor doolittle
on Friday, January 10, 2020 – 06:24 pm
No way! What a master drummer
No way! What a master drummer and songwriter! Saw them a few times around 80/81. Wasn't the most exciting of shows viewer wise imo but the music is topnotch musicianship.
RIP!
One of my if not favorite Rush songs. Had all the early albums in the 70's. All The Worlds A Stage live album got a lot of spins.
https://www.youtube.com/watch?v=1l0KmbGnq4g
Top of Page Bottom of Page PermalinkFull Name: Philzone Refugee Herbal Dave
on Friday, January 10, 2020 – 07:15 pm
Saddened to hear this. My
Saddened to hear this. My first big Rock concert was Rush on the Permanent Waves tour. I never saw them again though, and I regret that. Wonder if Geddy & Alex will do some sort of tribute show?
Tuques at half-mast.
Top of Page Bottom of Page PermalinkFull Name: Deadly Leper van Atom
on Friday, January 10, 2020 – 07:39 pm
I saw the Moving Pictures,
I saw the Moving Pictures, Signals, and Grace Under Pressure shows plus a later tour stop with Jethro Tull opening. Air drumming to Neal was always a Rush (sorry). RIP.
Top of Page Bottom of Page PermalinkFull Name: Deadly Leper van Atom
on Friday, January 10, 2020 – 07:42 pm
Fear trilogy played on the
Fear trilogy played on the Grace tour.
Top of Page Bottom of Page PermalinkFull Name: Deadly Leper van Atom
on Friday, January 10, 2020 – 07:46 pm
https://m.youtube.com/watch?v
https://m.youtube.com/watch?v=e-QIVbPMd3A
Trilogy here
Top of Page Bottom of Page PermalinkFull Name: Deadly Leper van Atom
on Friday, January 10, 2020 – 07:55 pm
Neil. Sorry for misspelling
Neil. Sorry for misspelling his name above.
Top of Page Bottom of Page PermalinkFull Name: Lance minimum goad Newberry heathentom
on Friday, January 10, 2020 – 08:04 pm
Funny, I find that I'm very
Funny, I find that I'm very sad about this even though I wasn't a huge fan of his. I totally respected his ability and approach, I just thought he was a bit too mechanical for my taste. I became more impressed with him on a personal level when I heard that long after he had fully established himself as a star drummer he took lessons to gain more "swing" to his playing, which I thought was pretty admirable.
He still never "swung" enough for me, but he was undeniably one of the greats of all time and he always did it his way.
Oig.
Top of Page Bottom of Page PermalinkFull Name: Thumbkinetic (Bluestnote)
on Friday, January 10, 2020 – 08:14 pm
I couldn't put up with Geddy
I couldn't put up with Geddy Lee's voice long enough to form an opinion on Neil Peart.
RIP
Top of Page Bottom of Page PermalinkFull Name: It's me Dave open up! Davesnothere
on Friday, January 10, 2020 – 08:41 pm
Wow.....
Wow.....
Saw the Hemispheres and Permanent Waves tours, and had all their albums up to then. Great performances.
A friend and I just listened to a chunk of this amazing Millard recording on Tuesday at concert volume, recording grabbed from DIME:
Rush
Anaheim Convention Center
Anaheim, CA
June 12, 1981
Mike Millard first generation cassettes via JEMS
The Lost and Found Mike the MICrophone Tapes Vol. 17
Recording Gear: AKG 451E microphones (CK-1 cardioid capsules) > Nakamichi 550
cassette recorder
JEMS 2019 TRANSFER: first-generation cassettes made by Mike Millard for Barry G >
Nakamichi CR-7A azimuth-adjusted transfer > Sound Devices USBPre 2 > Audacity 2.0
24/96) capture > iZotope RX MBIT+ resample 16/44.1 > iZotope RX and Ozone mastering >
Peak Pro 6 (volume smoothing / edit / index) > xACT 2.39 > FLAC
01 2112 Overture
02 The Temples of Syrinx
03 Freewill
04 Limelight
05 Hemispheres Prelude
06 Beneath, Between & Behind
07 The Camera Eye
08 YYZ
09 Drum Solo
10 Broon's Bane
11 The Trees
12 Xanadu
13 The Spirit of Radio
14 Red Barchetta
15 Closer to the Heart
16 Tom Sawyer
17 Vital Signs
18 Natural Science
19 Working Man
20 Hemispheres Armageddon
21 By-Tor and the Snow Dog
22 In the End
23 In the Mood
24 2112 Grand Finale
25 La Villa Strangiato
For those who don't know the late, great Mike Millard:
https://en.wikipedia.org/wiki/Mike_Millard
I had no idea Millard ever captured Rush (he was best known for Led Zeppelin). What an amazing combination of performance, live sound, and bootleg sound capture! I wondered how many stage mics were used to capture all the sounds coming from Neil?! Thanks Ken for posting the picture of his kit.
Top of Page Bottom of Page PermalinkFull Name: It's me Dave open up! Davesnothere
on Friday, January 10, 2020 – 08:47 pm
Two other things:
Two other things:
The announcement was made today, but Wikipedia says he passed away Tuesday, the same day we listened to the show noted above. Wooooooo!
and...
Neil had an amazing career, and a tragic personal life:
"On August 10, 1997, soon after the conclusion of Rush's Test for Echo Tour, Peart's first daughter and then-only child, 19-year-old Selena Taylor, was killed in a single-car accident on Highway 401 near the town of Brighton, Ontario. His common-law wife of 23 years, Jacqueline Taylor, succumbed to cancer only 10 months later on June 20, 1998."
I've been meaning to read the book he wrote during his motorcycle travels after the 2 deaths.
Top of Page Bottom of Page PermalinkFull Name: _________ Plf9905
on Friday, January 10, 2020 – 09:20 pm
^^^^ The Camera Eye ~ Like
^^^^ The Camera Eye ~ Like That One have moving pictures cd somewhere.
Top of Page Bottom of Page PermalinkFull Name: Rusty Rusty
on Friday, January 10, 2020 – 10:55 pm
Rip and all, but Rush always
Rip and all, but Rush always hit me like a shot of bong water and a quart of Schlitz Stout.
Top of Page Bottom of Page PermalinkFull Name: Mr. Tofu Head mrtofuhead
on Saturday, January 11, 2020 – 01:46 am
2112 > A Farewell To Kings >
2112 > A Farewell To Kings > Hemispheres were the Rush albums that did it for me.
Top of Page Bottom of Page PermalinkFull Name: Lance minimum goad Newberry heathentom
on Saturday, January 11, 2020 – 03:25 am
Personally I never cared for
Personally I could never get in to Rush (although they were much better live then on record IMO) but they were still balls-out great, and IMO they always did things the way they should be done, with integrity.
You don't have to like them to respect them, and they are deserving of the highest professional respect in an industry that isn't usually deserving of that.
It's a sad day in rock 'n roll.
Top of Page Bottom of Page PermalinkFull Name: krab groad1123
on Saturday, January 11, 2020 – 07:39 am
Rush: Time Stands Still
Rush: Time Stands Still:Showtime
Why You Should Watch:
Paul Rudd narrates this well-produced 2016 documentary for which the rock band Rush granted filmmakers exclusive behind-the-scenes access as their final tour, launched in May 2015, comes to a crescendo in Los Angeles. The film emphasizes the musicians’ almost symbiotic relationship with their ferociously loyal fans, who likewise feel a quirky sense of ownership when it comes to “their” band. Candid interviews with bandmates Geddy Lee, Alex Lifeson and Neil Peart add more insights.
Symbiotic relationship with their ferociously loyal fans>>>
They talk about getting on airplanes, seeing dozens and dozens of shows, great program, seen it three times
Top of Page Bottom of Page PermalinkFull Name: Barrel Aged jamjuice
on Monday, January 13, 2020 – 12:59 pm
Seems I've been pronouncing
Seems I've been pronouncing his name wrong since high school. Lots of album spins in my youth.
Godspeed Neil Peart, thanks for the beats.
We are the Priests of the Temples of Syrinx...
Top of Page Bottom of Page PermalinkFull Name: |-|/-\|_|_ Googlymoogly
on Monday, January 13, 2020 – 07:09 pm
>>>Seems I've been
>>>Seems I've been pronouncing his name wrong since high school. Lots of album spins in my youth.
Damn, I guess I have too.
I also got into Rush in high school in the late 70's and the friend who turned me onto them was also responsible for getting me into the GD, Neil Young, Zeppelin, Yes and a TON of other music. I'm still grateful to him to this day and we still see Kimock and Phish shows together once in a while.
Anyways, I think back then I was just absorbing everything like a sponge, and while I thought Geddy's voice was definitely different and very strange, it didn't deter me from getting into their music any more than any other of the male rock singers who could sing in a high key (Jon Anderson, Freddy Mercury, Robert Plant, Ian Gillian, etc). I'm not saying he's in their league, but it wasn't something at the time that turned me off (and I totally get why people can't deal).
I didn't get a chance to see them until after high school, but when I did, it was my first big indoor arena show (Cow Palace, '84). I went up with a bunch of friends (some of whom I still hang out with) and all of us but the driver were dosed to the gills. Gary Moore with special guest Neal Schon opened and put on a guitar god clinic, so the crowd was proplerly primed.
The set Rush themselves played was on the short side and included a lot of songs from their new album, which to me diverged from their past, hard prog rocking identity and had too much electronic shyte, but I was still blown away and spent the next decade or so really delving into their old stuff and hitting every Bay Area show just to see them play those older songs, even if they were few and far between (or worse: medleys). But it got to the point that they played more "new" material than old, and to me, the shows were just not the same, so I stopped going.
Then in 2015 I heard they were playing more complete versions of songs like Cygnus X1, Hemispheres and 2112, so I had to go. This was their 40th anniversary show and the last time I saw them. They opened with 9 newer songs (written '83 or later), which to me seemed to suck the life out of the old, meat-in-yer-seat crowd at the San Jose SAP center (but provided plenty of bathroom/smoke break opportunities), so by the time they got to the good stuff, the energy was not what it could have been (for me, anyway). It was still great to see them perform those songs, and I'm very glad I went, especially now that it's over.
As for the music, much of the appeal for me was that Peart, Lee and Lifeson all had recognizable instrumental voices, and were all very capable of playing lead simultaneously when they jammed. Rush helped me develop a taste for longer, more progressive songs and I resonated with Neil Peart's lyrics and think it shows something about the man that he could be such a robotic, technical beast on the skins, but could write with such heart.
He was also a fellow avid cyclist (yeah, we both doubled down on nerd-ness).
After I heard the news, I spent the next 4 hours watching old concert footage (cranked to eleven, of course), and while I felt a little sadness at the ending of yet another band from the years when I was coming of age, I mostly felt joy that I got to live in that time and have those experiences because things are different now, and to me, not for the better musically speaking.
So here are some of the man's words, which are as true, if not truer, today than when he wrote them decades ago:
When they turn the pages of history
When these days have passed long ago
Will they read of us with sadness
For the seeds that we let grow?
We turned our gaze
From the castles in the distance
Eyes cast down
On the path of least resistance
Cities full of hatred
Fear and lies
Withered hearts
And cruel, tormented eyes
Scheming demons
Dressed in kingly guise
Beating down the multitude
And scoffing at the wise
---------------------------------------------------------------------------------------------------------
The righteous rise
With burning eyes
Of hatred and ill-will
Madmen fed on fear and lies
To beat and burn and kill
They say there are strangers who threaten us
Our immigrants and infidels
They say there is strangeness to danger us
In our theaters and bookstore shelves
That those who know what's best for us
Must rise and save us from ourselves
Quick to judge
Quick to anger
Slow to understand
Ignorance and prejudice
And fear walk hand in hand
___________________________________________________________________________________
Everybody got to deviate from the norm
Everybody got to escalate from the norm
Everybody got to elevate from the norm
______________________________________________________________________________
Philosophers and plowmen
Each must know his part
To sow a new mentality
Closer to the heart
RIP Mr Peart
Top of Page Bottom of Page PermalinkFull Name: |-|/-\|_|_ Googlymoogly
on Wednesday, January 15, 2020 – 12:24 pm
ha, just randomly found this
ha, just randomly found this pic on my phone of the last show I caught (40th Anniversary of Peart joining the band)
Top of Page Bottom of Page PermalinkFull Name: Barrel Aged jamjuice
on Wednesday, January 15, 2020 – 06:23 pm
Hey Hall-io, nice post and
Hey Hall-io, nice post and pic, Happy New Year to you and yours.
>>Anyways, I think back then I was just absorbing everything like a sponge.
Same time zone here with Rush, some of my friends thought Rush was too over the top, but we analyzed the lyrics anyway. Cool that you got to see them live. I'm 3 days in on the Sirius Deep Tracks celebration of Neil Peart's life, it's been fun time- traveling...listening to the old tracks off the albums.
Top of Page Bottom of Page PermalinkFull Name: An organ grinder’s tune Turtle
on Wednesday, January 15, 2020 – 06:51 pm
not sure why people don't
not sure why people don't like rush.
Top of Page Bottom of Page PermalinkFull Name: Def. High Surfdead
on Wednesday, January 15, 2020 – 06:57 pm
I don't like Rush, and I'm
I don't like Rush, and I'm not sure why either.
Top of Page Bottom of Page PermalinkFull Name: Thumbkinetic (Bluestnote)
on Wednesday, January 15, 2020 – 07:52 pm
>>Seems I've been pronouncing
>>Seems I've been pronouncing his name wrong since high school. Lots of album spins in my youth.
Damn, I guess I have too.<<
So . . . rhymes with "shart"?
Top of Page Bottom of Page PermalinkFull Name: Stone Peakfifteen
on Wednesday, January 15, 2020 – 08:25 pm
Not "shirt"? Damn Canadians.
Not "shirt"? Damn Canadians...
Top of Page Bottom of Page PermalinkFull Name: fishcane fishcane
on Wednesday, January 15, 2020 – 08:48 pm
It’s “pier-t”
It’s “pier-t”
Top of Page Bottom of Page PermalinkFull Name: Deadly Leper van Atom
on Wednesday, January 15, 2020 – 11:10 pm
Yes, thanks for clearing that
Yes, thanks for clearing that up, Fishcane.
I had been mispronouncing Peart for long past my introduction to Rush in 1976.
Top of Page Bottom of Page PermalinkFull Name: andy ottobobotto
on Thursday, January 16, 2020 – 11:34 am
I don't like Rush, and I'm
I don't like Rush, and I'm not sure why either.
I've thought about this over the years. I respect the hell out of them for a lot of things, but other than a few songs I don't dig them. I tend to get bored by them quickly. I think it's a lack of blues or emotion content in their presentation. I can't put my finger on it but that's the best I've been able to come up with. This is my favorite Rush video.
https://www.youtube.com/watch?v=OjbvZJaxcbw&t=17s
Top of Page Bottom of Page PermalinkFull Name: fishcane fishcane
on Thursday, January 16, 2020 – 12:19 pm
I spent a lot of years
I spent a lot of years denying my earliest music interests. Rush led Zep sabbath etc. thinking My tastes just outgrew them. In the 80s I got caught up in the dead scene and we all know us deadheads are pretty iconoclastic. Exclusionary to a fault. I eventually got sick of that whole “ let’s out-obscure each other” approach to music and the rise of the silly jam band thing and revisited my roots. Gosh some of that music that got beat on by the fm radio haters is great stuff. I realized that genres can live side by side on the same shelves. I’m glad that I revisited rush in the late 90s thru the end as they really had a fantastic second half and finished on top of their game. To have their final studio track be the garden is such a fitting finale. Just too bad Neil didn’t get to enjoy retirement for long
Top of Page Bottom of Page PermalinkFull Name: |-|/-\|_|_ Googlymoogly
on Thursday, January 16, 2020 – 12:58 pm
Happy New Year Jamjuice and
Happy New Year Jamjuice and Peak, hope to hear some epic trip reports soon (didn't you guys go to New Zealand?).
Turtle, apparently a lot of people do like Rush based on their sales:
... but I know what you mean, it seems like they really polarize people. It might be because they're not easy to classify. They're an amalgamation of rock, prog, metal with all kinds of other influences mixed in and who jump from different time signatures multiple times in the same song. And at times they can evoke feelings [of an almost human nature], which may be deemed 'uncool' by tough guys.
Or it could just be Geddy's voice, which has been described a "rat caught in a wringer", or a "hamster on helium". Sometimes I wish they would have gotten a singer who could play keys so Geddy could focus solely on being an even more ripping bass player than he already is (if that's even possible!).
>>> some of that music that got beat on by the fm radio haters is great stuff. I realized that genres can live side by side on the same shelves. II realized that genres can live side by side on the same shelves.
So true!
Geddy Lee explains how to pronounce Peart:
https://www.youtube.com/watch?v=Mq84CpHo9cU
Top of Page Bottom of Page PermalinkFull Name: |-|/-\|_|_ Googlymoogly
on Friday, January 17, 2020 – 06:26 pm
Neil's audiobooks are free
Neil's audiobooks are free right now on Amazon... just picked up Ghost Rider and one other.
Top of Page Bottom of Page PermalinkFull Name: Bucky Badger On Wisconsin
on Monday, January 27, 2020 – 12:31 am
I was first on this one too
I was first on this one too
Top of Page Bottom of Page PermalinkFull Name: g-reg gregulator
on Monday, January 27, 2020 – 10:43 am
Of course Neil and Mickey
Of course Neil and Mickey Hart were friends too
RIP
Top of Page Bottom of Page PermalinkFull Name: fishcane fishcane
on Monday, January 27, 2020 – 01:18 pm
I know it’s a race but I
I know it’s a race but I gotta say I usually see it elsewhere before here nowadays.in the heyday it would’ve been here first but there is a delay now that wasn’t here before
Top of Page Bottom of Page PermalinkFull Name: Bucky Badger On Wisconsin
on Monday, January 27, 2020 – 01:24 pm
It's here first, you just
It's here first, you just aren't looking here fast enough
Top of Page Bottom of Page PermalinkFull Name: fishcane fishcane
on Monday, January 27, 2020 – 01:32 pm
Actually I just checked time
Actually I just checked time stamps, nope 3:58 there and 4:20 here