As usual/as always, it's Mayer, Chementi & Oteil who make this band interesting, and now that Jay Lane is getting comfortable he's raising the bar as well.
Lane may not be a brilliant professional drummer, but he is still a professional drummer, and unlike poor Billy K. these days Lane can SNAP the snare drum, SNAP a cymbal crash and can actually play a drum fill or two. There's clearly more punch to their sound with Lane.
(And it cracks me up that I write that, because I'm no big fan of Jay Lane and I LOVE Billy Kreutzmann, but everybody gets old. Even Willie Mays was old & bad when he played for the Mets.)
It's great that Weir is continuing to be as good as he is. He still sings really well (at least on his own songs) and when he's not killing cats his guitar can still be very creative (usually playing off of Mayer/Chementi/Otiel riffs) but really, the quality of this band is all about & Company, very little about Dead.
And don't get me wrong, I love Bob Weir, Billy K. and even what's left of Mickey Hart, and I think it's great that they're still on the road playing to multiple generations of fans, but for me it's always been about the music being played in the moment, not some nostalgia deal (which is why I still always see Phil when I can, because on any given night Phil can still rearrange 3-dimensional reality. Musically he's still the best of them all).
And I just can't believe that Mayer wants to leave this music. The guy has completely assimilated into the GD musical world, he's developed into an outstanding improvisational player and he has absolutely no other outlet for that.
If anything, I could see him leave D&C, steal Chementi & Oteil away, get a top quality drummer and start his own GD inspired band.
Would it sell as well as D$C? Maybe not, because the masses always need "the singer", but even it they wouldn't play stadiums without Weir & Drums/Space, Grateful Dead music is more popular now than it's ever been, and it's still being played well by new generations of players. This music isn't going anywhere.
Well, Mayer has gotten really fucking good at playing this music. Oteil and Chimenti both kick ass. A monster drummer and a high-energy 2nd guitarist, who also has a voice, would make for a great band. As tempos would no longer be an issue, that band could and should draw back all those folks who can't deal with "Slow & Co."
Last night was the first full show I've listened to. It was way better than I expected, and I like DeadCo. I was really impressed by Set II. There was nothing slow about it. My litmus test is Eyes, which I'm happy if I never again hear it live. It was really good.
Top of Page Bottom of Page PermalinkFull Name:  intentionally blank 
There won't be video, but
There won't be video of tonight's show, but there's supposed to be free audio of the show here: https://www.youtube.com/deadandcompany
Top of Page Bottom of Page PermalinkFull Name:  doctor 
https://www.youtube.com/watch
https://www.youtube.com/watch?v=z5N1uX23YHw
Top of Page Bottom of Page PermalinkFull Name:  Hitchhiker awaiting "true call" 
Heady bass.
Heady bass.
Top of Page Bottom of Page PermalinkFull Name:  Localcountyline 
Mosquitoes Never Stopped
Mosquitoes Never Stopped
Top of Page Bottom of Page PermalinkFull Name:  Localcountyline 
Don't Murder Me
Don't Murder Me
Top of Page Bottom of Page PermalinkFull Name:  doctor 
FOTD Foolish Heart TLEO
FOTD
Foolish Heart
TLEO
Top of Page Bottom of Page PermalinkFull Name:  El Nino 
85 Jerry would have loved
85 Jerry would have loved this show
Top of Page Bottom of Page PermalinkFull Name:  doctor 
West LA
West LA
Lost Sailor
Saint of C
GO YANKEES
Top of Page Bottom of Page PermalinkFull Name:  Druba 
Set 1
Set 1
The Music Never Stopped
Dire Wolf
Friend of the Devil
Foolish Heart
They Love Each Other
West LA Fadeaway
Lost Sailor
St of Circumstance
Set 2
Big Railroad Blues
Dark Star
El Paso
(screw the Spankies, lol)
Top of Page Bottom of Page PermalinkFull Name:  doctor 
^ Jealous Nood?
^ Jealous Nood?
Top of Page Bottom of Page PermalinkFull Name:  Druba 
No
No
Top of Page Bottom of Page PermalinkFull Name:  doctor 
Eyes GO YANKEES!
Eyes
GO YANKEES!
Top of Page Bottom of Page PermalinkFull Name:  billionyearoldcarbon 
That Dark Star>El Paso was
That Dark Star>El Paso was quite the exploration, very moving imo. The best El Paso I've heard Bob do. These guys are just tight.
Top of Page Bottom of Page PermalinkFull Name:  Woz 
Great showso far, looking
Great showso far, looking forward to heading to CitiField.
Top of Page Bottom of Page PermalinkFull Name:  doctor 
They interest me more than
They interest me more than Phil and kid.
More sensitive and soulful playing IMO!
Plus they have the guy who wrote and sang half the songs. And he still has it most times!
Top of Page Bottom of Page PermalinkFull Name:  Hitchhiker awaiting "true call" 
Killer Bucket
Killer Bucket
Top of Page Bottom of Page PermalinkFull Name:  Hitchhiker awaiting "true call" 
Dear Prudence
Dear Prudence
Top of Page Bottom of Page PermalinkFull Name:  doctor 
Dear Prudence
Dear Prudence
Should have saved it for Citi Field.
I hope they break out something in NYC.
Top of Page Bottom of Page PermalinkFull Name:  Localcountyline 
30 years come and gone my oh
30 years come and gone my oh my......
Top of Page Bottom of Page PermalinkFull Name:  doctor 
Burgettstown gets all the
Burgettstown gets all the cool shows
Top of Page Bottom of Page PermalinkFull Name:  Lance just me Newberry 
As usual/as always, it's
As usual/as always, it's Mayer, Chementi & Oteil who make this band interesting, and now that Jay Lane is getting comfortable he's raising the bar as well.
Lane may not be a brilliant professional drummer, but he is still a professional drummer, and unlike poor Billy K. these days Lane can SNAP the snare drum, SNAP a cymbal crash and can actually play a drum fill or two. There's clearly more punch to their sound with Lane.
(And it cracks me up that I write that, because I'm no big fan of Jay Lane and I LOVE Billy Kreutzmann, but everybody gets old. Even Willie Mays was old & bad when he played for the Mets.)
It's great that Weir is continuing to be as good as he is. He still sings really well (at least on his own songs) and when he's not killing cats his guitar can still be very creative (usually playing off of Mayer/Chementi/Otiel riffs) but really, the quality of this band is all about & Company, very little about Dead.
And don't get me wrong, I love Bob Weir, Billy K. and even what's left of Mickey Hart, and I think it's great that they're still on the road playing to multiple generations of fans, but for me it's always been about the music being played in the moment, not some nostalgia deal (which is why I still always see Phil when I can, because on any given night Phil can still rearrange 3-dimensional reality. Musically he's still the best of them all).
And I just can't believe that Mayer wants to leave this music. The guy has completely assimilated into the GD musical world, he's developed into an outstanding improvisational player and he has absolutely no other outlet for that.
If anything, I could see him leave D&C, steal Chementi & Oteil away, get a top quality drummer and start his own GD inspired band.
Would it sell as well as D$C? Maybe not, because the masses always need "the singer", but even it they wouldn't play stadiums without Weir & Drums/Space, Grateful Dead music is more popular now than it's ever been, and it's still being played well by new generations of players. This music isn't going anywhere.
And that's far out.
Top of Page Bottom of Page PermalinkFull Name:  krab 
Set 2: Big RR Dark Star
Set 2: Big RR Dark Star El Paso He's Gone Eyes D/S Dark Star Bucket Dear Prudence US Blues E: Ripple
Top of Page Bottom of Page PermalinkFull Name:  fishcane 
Was Hes Gone dedicated to
Was Hes Gone dedicated to Billy?
Top of Page Bottom of Page PermalinkFull Name:  Briank 
I really enjoyed that Set II.
I really enjoyed that Set II. Set I was great, but damn, that first part of Dark Star especially was stellar.
Top of Page Bottom of Page PermalinkFull Name:  JP (J Bomb) 
If anything, I could see him
If anything, I could see him leave D&C, steal Chementi & Oteil away, get a top quality drummer and start his own GD inspired band.<<<<<
Does the depth of hell have no limits? This would certainly put that question to the test.
Top of Page Bottom of Page PermalinkFull Name:  Briank 
Well, Mayer has gotten really
Well, Mayer has gotten really fucking good at playing this music. Oteil and Chimenti both kick ass. A monster drummer and a high-energy 2nd guitarist, who also has a voice, would make for a great band. As tempos would no longer be an issue, that band could and should draw back all those folks who can't deal with "Slow & Co."
Last night was the first full show I've listened to. It was way better than I expected, and I like DeadCo. I was really impressed by Set II. There was nothing slow about it. My litmus test is Eyes, which I'm happy if I never again hear it live. It was really good.
Top of Page Bottom of Page PermalinkFull Name:  intentionally blank 
> As tempos would no longer
> As tempos would no longer be an issue, that band could and should draw back all those folks who can't deal with "Slow & Co."
Some, but not all. While I recognize that Mayer has some chops on guitar, I am not a fan. Dude just creeps me out and makes my skin crawl.
Top of Page Bottom of Page PermalinkFull Name:  Druba 
(No subject)
Top of Page Bottom of Page PermalinkFull Name:  El Nino 
>>>Maybe not, because the
>>>Maybe not, because the masses always need "the singer"
Otiel is a pretty amazing singer, but whatever the final configuration is I think this band is coming.